Katy Perry ET - The Porno!

Hey! Been a while since I posted on here, but I had some inspiration. This popped into my head and I had to edit it together. Warning, it's sexually explicit/pornographic! Really didn't want to open a porn account, so I uploaded on Ebaums World. Hopefully, it will stay up for the world to enjoy!






<3 Lori (Madpuppetdeth)

'Red Account: My Bloody Angel' Review (SculptingFragments)

Dir. Sato Toshiki

Told through flashbacks our main girl Tomoko speaks of how her husband Masao, who she is deeply in love with, met his untimely fate.

This 'Tokyo Shock' release bills 'Red Account' as an all out gore film, in the same vein as the infamous 'Guinea Pig' series to come out of the same Japan as this underground sickie. Presented in a nice slipcase with four collectors art cards, very pretty. But now for the film itself.


Opening we see a ceremony trying to rid the devil, out of Masao's eye, Tomoko tells of how they are in love together so she has to help him with his eye problem. This is shown by a what seems to be everlasting dull sex scene. One thing i don't get about Japanese films with hardcore sex in, is why they have scenes like close up shots of a girls twat when they know it's just going to get blurred out! There's nothing like a face full of pixels to ruin the mood.

Skip forward twenty minutes and two sex scenes later we still don't know anything thats going on, the only dialogue we've had so far is that these two people are in love, I would have like some more talking but her mouth was too full of dick. Now we're introduced to a new character, Kawakami San, not that we know anything about the first two characters, except how they fuck but whatever.

We soon learn that Masao has a new song that he composed for the awesome rock band that we never see, he becomes more and more reclusive writing music and begins to distance himself from Tomoko. Because of this it's clear to see he is possessed by The Devil, after all rock music is The Devils music, apparently. Lucky for him, his old school friend Kawakami is an exorcist and they set up the ceremony we briefly witnessed at the beginning. After a few seconds of ceremonial gibberish Kawakami gives up and tries a different method: he strangles Masao, cuts off his head and pokes him in the eye.

'The Devil has infected his organs, we need to clean his organs!'

Apparently Masao's schoolfriend exorcist is also a surgeon, go figure! From here on out i took of my thinking cap and enjoyed the gore. Couldn't help but wonder what they were going to do with Masao after they were done cleaning all his 'Devil organs', well when the exorcist surgeon calls it a night it turns out Tomoko is a necrophiliac so let the good times role, I guess.

SculptingFragments.

'Orozco the Embalmer' Review (SculptingFragments)

Dir. Tsurisaki Kiyotaka

The film opens with a tour of a rundown town in Columbia, derelict buildings and bodies in the street.
The people that live here, live poor and die poor, in the hands of the legendary Orozco the Embalmer.

This documentary follows Orozco as he does his daily job of receiving corpses, gutting them and filling them up, not with embalming fluid as you'd expect but with old rags and newspaper.   The conditions he works in are revolting, the cutting and gutting takes place in what looks like an abandoned garage packed full of storage boxes.
His method is brutal and careless, which makes the whole process seem more surreal. One thing you will notice is that he never shows any compassion for the body, everything is very rough and rushed.  We are not used to seeing this side of the world,  life here is cheap.


When not in the garage we survey the local town discovering body after body. Men, women, old and young, they can all be found in the streets of Colombia and all end up at Orozco's.

To say this film is hard hitting is an understatement, after just ten minutes of watching i was ready to turn it off and try another time, but i stayed with it and with each scene a more horrific corpse greeted me. Where as many other 'Shockumentaries' feature dead bodies that have met their untimely deaths due to some unfortunate accident, these people die as it is their way of life. i can bet that only a minuscule amount of people die from natural causes here, and from watching this, it serves more like an 'eye-opener' to know the conditions other parts of the world live in. They are not lucky like us to be provided with excellent health care or even a justice system.  These people are the underdogs of life.

Unfortunately the edition that i am reviewing does not have english subtitles, despite most of the dialogue is the odd word or sentence here and there, there is one interview which would be nice to know what was being said. Apart from that this extremely enjoyable experience last a very long 90 minutes. I've always heard people saying after watching a death film they're left with a dirty feeling. I never experienced that feeling before but now i know.

                                                                          
I need a shower...

SculptingFragments

Recommended: Sodomatik Extreme Gore Mixtape DVD Vol. 1

Sodomatik Extreme Gore Mixtape Vol. 1 is a great compilation of clips from some of the greatest horror/exploitation films out there, and its a good starter point for those that are just getting into the genre. Music accompany around 25 minutes of the mix, after that the clips feature their original audio tracks. Sodomatik 1 is also a good item to put on when some friends pop around for a few beers and need some light entertainment!

The clips, in order of appearance, are as follows:
Satanico Pandemonium, Suicide Club, Pieces, Suicide Club, The Nutbag, New York Ripper, Pieces, New York Ripper, Schramm, May, Premutos, Death Smiled at Murder, Pieces, Pieces, Haunting of Rebecca Verlaine, House of Blood, Premutos, Premutos, New York Ripper, Suicide Club, House of Blood, Splatter : Naked Blood, The Reflecting Skin, The Nutbag, House of Blood, Evil Ed, The Nutbag, Suspiria, Phantom of Death, Nutbag, Cutting Moments, The Reflecting Skin, Phantom of Death, Splatter : Naked Blood, Haunting of Rebecca Verlaine, Dont't Torture a Duckling, The House by the Cemetery, The House by the Cemetery, Scrapbook, Thriller : One Eye, Premutos, Mother of Tears, Gummo, Hollywood Chainsaw Hookers, Dead of Alive, Mother of Tears, A Blade in the Dark, Mother of Tears, The Toolbox Murders, Thriller : One Eye, Another Day in Paradise, The Beyond, Another Day in Paradise, The Beyond, The Beyond, Suicide, Guinea Pig : FOFAB, Angst, Murder Set Pieces, Home Sick, Entrails of A Beautiful Woman, Aftermath, For Your Height Only, Guinea Pig : Devi's Experiment, Guinea Pig : He Never Dies, Aswang, Guinea Pig : Murmaid in a Manhole, Entrails of a Beautiful Woman, High Tension, The City of the Living Dead, Gore Gore Girls, City of the Living Dead, The Grapes of Death, Gore Gore Girls, Ken Park, The Burning, Snuff Perversions 2, Violent Shit 3, Slumber Party Massacre 2, The Burning, Nightbeast, Phenomena, Philosphy of a Knife, Nekromantik 2, Massacro, Horrible, Faceless, Fantom Kiler, Evil Dead Trap, Bay of Blood, August Underground, August Underground's Mordum, August Underground's Penance, Blutiger Freitag, Deadbeat at Dawn, Autopsy, Dust Devil, The Killer Must Kill Again, Street Fighter, Bloodfeast 2, Opera, Brain Damage, Clean Shaven, Strip Nude For Your Killer, Mr. Lonely.

All in all, its a blast and worth checking out!

http://www.sodomatik.tk/

(GenkiSlave 2011)

GenkiSlave Has A Quick Chat With Daikichi Amano (Genki-Genki)

Daikichi Amano is the creator of the infamous Genki films. Featuring sea creatures and insects amongst other things, these are the most creative and extreme Japanese porn/art films out there. Daikichi is also a photographer of bizarre and beautiful scenarios featuring sea creatures and insects. I am privellaged that Mr Amano could answer a few of my questions because, by his own admission, his English isnt that good.

GenkiSlave: Do you class your work as art or pornography?
Daikichi Amano: I think both which are art and photography.

GS: The first Genki-Genki film was Love by the Scalpel Dog. I see that this is not available anymore on your site. Do you regret making the film?
DA: In fact, start of Genki-Genki was scalpel dog, but, using dog is really difficult for
photo shooting, therefore, I have changed to sea creatures.

GS: Do you appreciate how your work has been embraced by the Extreme Film Community?
DA: Yes, I am really pleasure to enter the community.

GS: How did you come up with the idea of using sea creatures and insects in your work?
DA: I am always thinking care of female genital, so, I am always going to fish and creature shop and
I am thinking new idea.

GS: Do you personally find your work sexually erotic?
DA: I am making the film for those interested in these category.

GS: Have you moved away from doing Sea Creature based films or do you still plan to bring more out?
DA: I am shooting horror film right now.

GS: Which Artists and Directors have influenced you?
DA: I do not have any people of artists and directors who from influence.

GS: Thank you Daikichi for taking the time to answer my questions :)
DA: Thank you.

(GenkiSlave January 2011)

'Divided Into Zero'

A short review for a short film.

Divided Into Zero is a 1999 short film by Mitch Davis. It touches on three stages of a child killer's life. Non-linear and surreal, Divided Into Zero is indeed a very grim viewing experience. While not graphic gore wise, this 34 minute short carves vivid images into your mind with a razor blade and is psychologically more disturbing than anything the August Underground films can throw at us.

Images of the killer as a young 7 year old boy slashing at his arm with a razor blade, getting urinated on by a woman in the middle age stage of his life, and abducting a little girl when the killer has approached old age, really show how much this guy's mental heath has fucked up during his lifetime. The most disturbing images in the film are of the abducted little girl with razor blade wedged into her lip and one wedged between her fingers. The killer seems to get off on just staring at the poor girl being helpless and in agony, crying silent tears. Divided Into Zero is no good time film by any means. It is stark, superbly shot, and very clever at interpreting what goes on in the mind of a child killer without giving too much away.

So, if images of a  razor blade wedged into the lip of a little girl, self mutilation, a golden shower, eye drops on a child's doll and lots of surreal images interest you, Divided Into Zero is the perfect film for you... And I think it is a pretty perfect film - Just the right running time, the right amount of horror, the right amount of sleaze and its disturbing as hell.

(GenkiSlave December 2010)

GenkiSlave Interviews Ron DeCaro

Ron DeCaro is an Independent film maker, better known for starring in and directing gore flick The Gateway Meat. Part of The Brightside Trilogy of films which include The White Lie & Eating Razors - A Love Story, The Gateway Meat is a tour de force of brutality and unpleasantness. I had a quick chat with Ron about stuff:

GenkiSlave: Hi Ron and welcome to the sicktwistedfucks blog!
Ron DeCaro: Thanks for having me.

GS: How did you first get involved with making films? Was it at first just a bit
of fun to do with friends?
RD: I always had some idea that I’d like to work on films. To me they are
a true form of expression and art. You can take people anywhere and
show them anything. You can make them think and feel. At first when I
started out I was really just messing around. I didn’t start to take
it seriously until The White Lie which I really wanted to be brutal
and unrelenting. After that I knew most of my work would likely be
more on the darker side of horror. I do want to shock my viewers but
at the same time I want to show them something new. It’s really
important to me that my work be as original as possible.

GS: What are the main influences behind your film-making?
RD: I grew up on 70’s and 80’s horror but the 3 films that inspired me
most are probably the Thing, Braindead (Dead Alive), and Hellraiser 2.
I also have to give one hell of a nod to my friends over at ToeTag
Pictures for keeping a fire lit under my ass. Fred Vogel and crew are
the ones who showed me that there is no line in film making and the
horror can be pure and intense on a micro-budget.

GS: Influential Directors?
RD: John Carpenter, Peter Jackson, Sam Rami,Stanly Kubrick, Fred Vogel,
Brian Paulin.

GS: To anyone that doesn't know, explain The Brightside Trilogy...
RD: The Brightside trilogy is a series of films shot primarily at a condo
on Brightside Ave. in the town I used to live in. I thought the name
would be an ironic play on words. The three films are Eating Razors (a
love story), The White Lie & The Gateway Meat. These films were
created in attempts to show that no budget films can be emotionally
impactful and brutal.

GS: The Gateway Meat has become the most popular of the trilogy,and a big hit amongst the extreme film community, does this surprise you?
RD: The Gateway Meat was a real exorcism for me. It was a selfish film
that I made for my cathartic needs at the time. The fact that it is
well received is really all just gravy. I knew when I was making it
that I would be swinging for the fences but I never really knew how it
would become as popular as it has.

GS: The editing on The Gateway Meat is cool, and how, in the making of,
your daughter doesn't actually witness any of the sick goings on...
RD: I wanted to create an intense amount of anxiety in the film and I
thought that a good angle would be to have this beautiful little girl
juxtaposed against this horrible world filled with, violence, murder,
and other nasties. She again never witnessed any of it. She is my
world and I would never subject her to any of that type of material in
real life. In the film I play a monster but it does not reflect the
person that I actually am. People forget that sometimes.

GS: How do you come up with the ideas for your films?
RD: Generally I like to day dream and take notes. Ideas come to me like
inspiration, sometime in fragments then sometimes in floods. I try to
ride the wave whenever one presents it’s self.

GS: Eating Razors, any plans to re-release it?
RD: I plan to re-release all three films on an all new DVD called “The
Brightside Trilogy” coming in 2011.

GS: Yeh, I know that the trilogy box is supposed to be coming out, but
it seems like forever!
RD: I know. I know. Soon.

GS: You've been quiet lately, busy on a new project?
RD: I’ve been working a ton and haven’t had a lot of time to work on too
much. I’ve got a new short coming out soon called Emancipation. It’s
95% complete and will have a very limited release of 100 units also
coming in 2011. I’ve also been working on some other things that are in
the infancy stages. The juices are still flowing and FTBOMP (For The Better Of Mankind Productions) is not dead.

GS: Finally, Any advice for young wannabe film-makers out there?
RD: Just do it. Don’t talk about it. Just get up and get out and start doing it.

GS: Thanks very much for your time Ron. Take care dude :)
RD: Thanks very much for having me.

(GenkiSlave December 2010)